Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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KALF, Willem
Still-Life with Lemon, Oranges and Glass of Wine

ID: 32370

KALF, Willem Still-Life with Lemon, Oranges and Glass of Wine
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KALF, Willem Still-Life with Lemon, Oranges and Glass of Wine


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KALF, Willem

Dutch Baroque Era Painter, ca.1622-1693  Related Paintings of KALF, Willem :. | Still-Life with Silver Bowl, Glasses, and Fruit | Still-Life with a Late Ming Ginger Jar | Still-life sg | Still-life (detail sg | Still-Life with Lemon, Oranges and Glass of Wine sg |
Related Artists:
HEYDEN, Jan van der
Dutch Baroque Era Painter, 1637-1712 Dutch painter, draughtsman, printmaker and inventor. In 1650 he moved to Amsterdam with his family; his father, a Mennonite, who had pursued various occupations rather unsuccessfully, died that year. Jan's artistic training may have begun with drawing lessons in the studio of a relative, perhaps his eldest brother, Goris van der Heyden, who made and sold mirrors; Jan may also have studied the reverse technique of glass painting with an artist in Gorinchem. Painting occupied relatively little of his time, however, although he continued to pursue it throughout his long life. His prosperity was mainly due to his work as an inventor, engineer and municipal official. He designed and implemented a comprehensive street-lighting scheme for Amsterdam, which lasted from 1669 until 1840 and was adopted as a model by many other towns in the Netherlands and abroad. In 1672,
lucas van valchenborch
Lucas van Valkenborch (also "Valckenborch," "Valkenborgh") (c. 1535, Leuven - February 2, 1597, Frankfurt am Main), was a member of a family of Flemish landscape and genre painters.
Johann Zoffany
German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.






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